Released 10 May 2017 at the Dunedin Writers and Readers Festival, Ambient Terror is the third volume of poetry from Dunedin writer Victor Billot.
Refusing to be confined into one stylistic box, Ambient Terror is propelled forward by a sense of urgency reflecting the compressed reality of the 21st century. It is poetry that is equally up to the task of attacking socio-political themes or experimenting with language. It ‘takes in the world’, whether discussing depression and anxiety (Ambient Terror and Ghost Beat), mortality (Voice in Darkness and Selene), contemporary political topics (The Oversharing Economy and Beast of the Hour), or personal relationships (Congress and Monsoon Season).
“[A] rolling, blustering word-river of nanobytes, phrase chunks, alliterations and acrobatic satirical loops, held together by number-eight wire rhyme – great fun . . .” (Landfall Review Online, November 2017)
“Billot can be compelling and punchy. He is an exciting, wild noise, yet one supported by genuine imagination and ingenuity.” (Otago Daily Times review 6 May 2017)
“ . . . brilliantly wry and trenchant observations of our contemporary political culture and its mediation by pop culture and social media.” (NB Dunedin Libraries magazine, July 2017)
Paperback available online at Lulu or at University Bookshop Dunedin.
Ebook available online free for a limited time
I was very happy to get placed 2nd in the 2017 Dunedin Chinese Garden Moon Festival poetry competition.
I wrote a mutant villanelle on the theme of ‘Once in a Blue Moon.’
They produced some nice posters of the winning entries.
I’m looking forward to the Creative Cities Southern Hui on from 28 November – 2 December. Every day features some fantastic events and even better it’s free to attend (registration required.)
Also I get to introduce the featured guests for Creative Connections on Thursday 30 November.
An insightful and generous review of Ambient Terror by Piet Nieuwland, alongside reviews of the great Peter Olds and Auckland poet Shane Hollands. Nice to be in such company.
“[A] rolling, blustering word-river of nanobytes, phrase chunks, alliterations and acrobatic satirical loops, held together by number-eight wire rhyme – great fun . . .
My favourite poems in this collection have a distinctive urgency and rhythm and frequently use strong rhyme that drives them along. It is easy to imagine Billot on stage, performing them with energy and enthusiasm, whether it’s ‘Ghost beat’, ‘FVEY’ or ‘The oversharing economy’. The more time I spend with them, the more they infiltrate . . .”